Director Joseph Kosinski’s sequel arrived during an aggressive time for Hollywood blockbusters, in the midst of the industry’s obsession with squeezing any film with widespread name recognition into a franchise box (even entire decades after their original versions were made). (The film’s amusing Wikipedia page puts it best, noting that “the storyline was criticized at the time for being incoherent.”) “Tron” was celebrated for taking risks with boundary-pushing technology, which inevitably meant that a sequel would come along as soon as the studio wanted to try that again.īut that guiding principle did not carry over to “ Tron: Legacy,” which hit theaters in December of 2010 and - despite making a tidy $400 million at the box office - has not aged well over the past decade, even as its predecessor holds strong. “Tron”wasn’t a massive hit, but did pick up two Oscar nominations and eventually grew into a cult classic its technological vision plays a big part in its lasting appeal - at least more than some of the confusing storytelling decisions. For an audience not yet accustomed to the idea of computer-based interactivity, the movie’s narrative framework helped to normalize emerging technology just as home computers started making their way across the country. With a cast that included Jeff Bridges, Bruce Boxleitner, and Cindy Morgan, “Tron” arrived in the summer of 1982, an absolutely bonkers season at the box office that included the release of such hits as “E.T.,” “Poltergeist,” and “Star Trek II: The Wrath of Khan.” The film’s use of computer animation leads to a radical new storytelling perspective - it mostly takes place inside a mainframe computer, with various characters also appearing as anthropomorphized programs that interact with each other and their world (while also existing as entirely made-up digital avatars).
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However, they eventually decided to explore the story through a blend of live-action footage and computer animated sequences. With producing partner Donald Kushner - with whom he’d made the 90-minute Olympics-themed animated feature “Animalympics” - Lisberger set up an animation shop to bring “Tron” to fruition. When Steven Lisberger first conceived of what would become his 1982 film “ Tron,” the fledgling filmmaker had a startling vision of the future: an animated feature that could explore the world of early video games like “Pong” in the kind of detail not yet available for live-action moviemaking. With readers turning to their home viewing options more than ever, this daily feature provides one new movie each day worth checking out on a major streaming platform.
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